Showing posts with label Adventure. Show all posts

Friday, 23 May 2014

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The movie was simply amazing! I don’t want to ruin anything but give my rating: Music: 8/10. Good for the most part but there are a few especially in the beginning and middle that really goes well with etting the mood for the movie. So well I’m considering buying the songs.Visuals: 10/10. Superb quality. Nothing short of amazing andstunning.Your eyes will have enough eye candy to go wow! Humor: 9/10
Anyone who grew up, including myself watching classic Disney movies in 80’s – 90’s may currently have a tendency to doubt every time we try to take a shot at the recent 3D animated movies, thinking that any of them won’t be as good as ones that enamored us and to kept our precious childhood perennial in the golden age of 2D animations. Whether that is entirely true or not, the fact is all these cost- effective and time-saving computer generated works are still being created by the same crews that were involved in the old classic Disney movies. And if not all, some of the new artists are the ones that have inherited Walt’s will or got strongly inspired by Disney.
This film had it’s cute and oh-so funny moments but with such of a rave I was expecting it to be better. Don’t get me wrong, I thought this film was good but I just felt that there wasn’t enough to make the film stand out from all of the other Disney films. Pros: The soundtrack was beautifully crafted and very catchy. Idina Menzel’s voice was just filled with spirit and emotion.I personally felt that characters like Olaf and the S’ven stole the show. I mean, who would have thought a little quirky snowman and a Reindeer could steal the spotlight! They were both so adorable and lovable. Cons:Although the graphics were AMAZING, I felt like there was still some detail missing.

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Notwithstanding the magical serum that first transformed 90-pound weakling Steve Rogers into his strapping, spandexed alter ego — and that pesky Tesseract that has caused so much trouble all over the Marvel universe — both “Captain America” pics have stayed largely grounded in the real world and a sense of real-world politics. In “The First Avenger,” that meant pitting Rogers against the band of power-mad uber-Nazis known as Hydra. Here,
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watch free movies online without downloading anything or signingup or paying or survey. It means bringing him face to face with an even more sinister foe: the American military-industrial complex. Taking inspiration from such hot-button topics as drone warfare, NSA spying and Wikileaks-style secret sharing, the screenplay by returning writers Christopher Markus and Stephen McFeely is smart but never didactic about situating “The Winter Soldier” in a world where those on both sides of the political aisle have done much to compromise basic human freedoms in the name of defending them.

Featuring these and other opponents of sometimes-obscure identity is more than enough to keep Captain America: The Winter Soldier brimming with vehicular chases, surprise attacks, shootouts, fist fights, Energy Baton takedowns, miraculous rescues and surprising demises. The action is voluminous, and when it involves machines, it’s fine. However, when humans go at it one on one, directors Anthony and Joe Russo (Welcome to Collinwood on the big screen, Arrested Development on TV) go nuts, forsaking credible and exciting action within the frame for overcutting of such intensity that you can’t tell what’s going on. It’s as if the filmmakers were obsessed with making Paul Greengrass look slow-footed. The intent may have been to create an impressionistic account of action rather than a lucid one, but it winds up looking not only confusing but like a cheat, as you can’t believe anything real is happening; all you see is cuts, not physical contact.

Fortunately, the story develops some genuine intrigue; as in the best such yarns, it’s hard to know who’s really pulling the strings and who, other than the characters who wear costumes, is sincere and who might be up to no good. For sheer plotting and audience involvement, this is a notch above any of the other Avengers-feeding Marvel entries, the one that feels most like a real movie rather than a production line of ooh-and-ahh moments for fanboys.

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Evil Maleficent, whom Jolie portrays in Disney’s new live-action spin on its animated classic “Sleeping Beauty,” conversely “seemed to be having a great time,” Jolie said.

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"(Maleficent) is kind of an anti-hero for the odd man out," Jolie continued. "And, when she feels abused, or when somebody hurts her, she then says, ‘Oh, all right. You’re going to mess with me? Watch me.’"

In a recent interview to promote “Maleficent,” which opens May 30, the conversation veered to the celebrities at the Cannes film festival campaigning for the return of the Nigerian schoolgirls kidnapped by Islamic extremist group Boko Haram.

"We need to go after (Boko Haram), arrest them, and they need to face justice," said Jolie, who is known for her worldwide humanitarian efforts. She added, however, that the media shouldn’t be myopic, but instead continue to report on the array of world horrors, including the continuing plight of millions of refugees suffering in Syria.

Last week marked the one-year anniversary of Jolie’s disclosure that she was having a double mastectomy because she carries a genetic mutation that greatly increases her risk of potentially fatal breast cancer. “(I’m) very happy that other women now know that they have that choice,” she commented.

Jolie’s next film is her big-budget directorial debut, “Unbroken.” She previously directed the modest 2011 Bosnian war drama “In the Land of Blood and Honey” and the 2007 documentary “A Place in Time,” which chronicled 49 simultaneous moments around the world.

Arriving this Christmas, “Unbroken” chronicles the life of Louis Zamperini, an Olympic runner who was taken prisoner by Japanese forces during World War II.

"It looks beautiful," Jolie said. "It’s such a … it’s big," she added, with an exasperated laugh. "So, we’re just trying to kind of wrestle it in to the best version of itself."

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Watch Divergent Online. Rest simple, Katniss: You’ve got this circular. The first movie tailored from Veronica Roth’s generically dystopian guide sequence comes with a sludgy. Watch Divergent Online Free. Watch Divergent Movie Online.
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Watch Divergent. Gray-hued plop. It doesn’t help that Roth’s YA resource content is particularly dopey, creating The Starvation Activities study like excellent Orwell. Her situation is depending on a caste premise—some of us are “dauntless,” some are “erudite,” and still others are (gasp) “divergent” and thus unclassifiable—which you already know these figures are going to wake up from in a tired, pissed-off feelings. (Why’d it take 100 postwar decades to recognize that?) The film’s walled-off Chicago, illinois seems automated, some of the confusing places are Celebrity Trek-grade terrible and you’re not going to get trapped in any activity.

Watch Divergent Movie Online Free. A savior comes by means of Shailene Woodley, the blessed 22-year-old who performs heroine Beatrice, created to conflicted signals and articulately more complicated than her conversation would recommend. She turns to Four (Theo Wayne, a poster-ready Che for hormone tweens), attractive innovator of the group she operates off with. Yet after a center area of knife-throwing and other assessments, Divergent doesn’t have nearly enough for its star to do. One would be better off suffering from Woodley via her terrible convert in last seasons The Amazing Now, a dilemma that actually has more to say about nightmarish cliques and personality than any indifferent glide into upcoming schlock.
Watch Divergent. Young females increasing, branching out and discovering their details is a key concept in the teen-targeted post-apocalyptic classification shown in guides like The Starvation Activities and Divergent. The movie variation of Veronica Roth’s Divergent doesn’t have the detail to be effective on the same stage as Suzanne Collins’ Starvation Activities, it has enough exciting thrives to amuse, if not actually to notify.
Watch Divergent Online. Divergent drops into an acharacteristic part of the sci-fi classification, the post-apocalyptic dilemma. Lumped into the overarching milieu, the post-apocalyptic movie is set in a black upcoming where technological innovation has either reduced or flattened to the factor where community difficulties to are available without it. In Divergent these contemporary developments are available, but because of the disputes of previous times, they have mostly been arranged for unique conditions or circumstances.

Watch Divergent Online Free. For this tale, the overriding technical pervading the story is a system that allows the device to dig into the model’s ideas and existing it with difficulties that analyze the individual’s capability to purpose or rationlize. It is first used on teenagers that are about to keep their houses where they must experience a sequence of projects that figure out what faction they should case to be a aspect of. Society, damaged from problems like self-centeredness, absurdity, worry and other problems, has been able to restore itself by splitting the population into castes. These groups are accountable for maintaining community working within appropriate paramters.

This tale moves around a younger lady created of the Abnegation faction, a team dedicated to selflessness and accountable for operating the town’s govt. Beatrice Before (Shailene Woodley) doesn’t comprehend how her sibling and others in her caste can provide of them selflessly as she is regularly sheltering self-centered ideas. When the day of selecting comes, where all youngsters become grownups and choose the faction they will permanently be a aspect of, she chooses to be a aspect of Dauntless, the number of courageous men and ladies who secure the area from without and within, but from what it isn’t certain. Watch Divergent Online.

After selecting a new name, Tris battles to appear from the reduced steps of the leaderboard, which will figure out who gets to stay in Dauntless or who must become factionless, a destiny almost more intense than loss of life. These are the inadequate, residing on the roads with only Abnegation to nourish and proper take proper them. As aspect of Dauntless, she must get over her biggest worries. It’s there she comes to comprehend the phrase “Divergent,” the name associated with those who do not comply with one of the five factions’ values and thus are a risk to the achievements of community, at least to those in energy. Watch Divergent Online Free.

Director Neil Hamburger is aware of populism, his movies have mostly dropped into that classification, but have never been excellent creatively with the only exemption perhaps The Illusionist. The same can be said of Divergent, which outcomes in a pretty smooth illumination style. The post-apocalyptic subgenre should get wealthy night combined with stunning lighting at periods. There are many excamples of how to use mild and darkness evocatively, many of them applied by Burger’s cinematographer Alwin H. Kuchler. There are different illumination techniques in the movie, but none seem to take on a personality of their own, becoming explanations of the moments that were taken.

General manufacturing style is exciting, but regularly inert, though the outfit style is tailored well from the explanations offered from the guide. That said, this is a movie that is more acutely targeted on the communications between individuals. Why else would you seek the services of someone like Kate Winslet to incorporate Tris’ enemy Jeanine? Winslet isn’t out of her detail, but she is not given the type of personality whose allowed to be glossly villainous. The book’s character is rarely seen in the guide, but her information is oozing with blackness. Winslet gives her a minor modify to seem more generally attractive, but not enough to be completely perspective.

Woodley, however, functions her skills well here. Tris is the type of headstrong, yet insecure personality that often performs a huge aspect in these teen-targeted romances. Woodley revealed excellent variety in her first significant trip in The Enfant and while she doesn’t quite have the versitility of Jennifer Lawrence, she is in the same type of skilled younger thespians who could appear from a effective series profession with a lot of new possibilities.

It’s hit-or-miss for loving passions in these kinds of movies to coordinate the potency of the cause. Whether that’s an make an effort to keep them additional to the character or a deficiency of capability relies on the aspect. Liam Hemsworth in The Starvation Activities doesn’t provide us with the concept that he’s very skilled, whereas Josh Hutcherson in the same movie does a fantastic job. Here, Theo Wayne provides a powerful counter-point to the Tris personality. As Four, the instructor fro the faction exchanges in Dauntless, he must venture a awesome disregard for his individuals to be able to guarantee they understand and develop. His simple thawing as the movie developments is a fantastic coupling with the gradually solidifying Tris.

The movie doesn’t entirely make softer the difficult sides of the novel. Unconvincingly published at periods, the guide difficulties to discover an friendly overall tone, depending on first individual existing stressed, which is a tad annoying. The novel also functions a third act convert that is tonally at possibilities with the first two functions. The movie tries difficult to keep the unexpected move from stunning the viewers. It doesn’t entirely be effective, but it is a bit more structured than its resource content.

For what it is, the movie is a achievements. A sometimes cogent combination of post-apocalyptic discovery and socio-political philosophizing. Divergent also keeps the guides heavy-handed anti-intellectualism at bay, creating the movie experience more normally all-inclusive rather than trying to loving that a wide ideas is a risky factor.

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There have been hundreds of monster movies over the years, but only a handful of enduringly great movie monsters. Of those, only two were created for the screen: King Kong, the giant ape atop the Empire State Building, and his Japanese heir, Godzilla, the city-flattening sea monster who’s a genuinely terrific pop icon. He not only stars in movies — Hollywood is bringing out a new Godzilla on May 16 — but he’s even played basketball with Charles Barkley in a commercial for Nike.
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Every bit of news surrounding the upcoming May 16, 2014, blockbuster release Godzilla has been building so much hype for those excited to see the rebooted monster movie. In a recent Q&A session after the film was screened, director Gareth Edwards and producer Thomas Tull talked all about the movie and what we can expect.

“We were trying to put more into it than just a simple monster movie,” Edwards said. “Because the original was definitely a metaphor for Hiroshima and Nagasaki and a very serious film, so we were inspired to try and reflect that.”

Edwards went on to explain that, like the original Japanese movie that pointed a damning finger at the United States for nuclear weapons, his 2014 adaptation targets those with nuclear arms since his monsters are fed by radiation.

“The West … we police the world and go, ‘You can’t have nuclear power. You can’t have it. But we can have it, and we have nuclear weapons,’” the director explained. “And what if there were a creature that existed, creatures that were attracted to radiation? Suddenly the tables would be turned, and we’d be desperately trying to get rid of that stuff.”

What do you think of Edwards comments on his upcoming movie? Let us know in the comments section below!

Meanwhile the topic of a possible sequel or sequels popped up, but producer Tull was hesitant to make any promises.

“We’re passionate fans of the universe,” he explained. “My biggest dream from this, frankly, is that [kids] go to this movie with their parents, and a long time from now, they’re talking about how this is what made them a Godzilla fan.”
Godzilla is out in just a couple of weeks, but five scenes have just been released showcasing different aspects of the movie – from Godzilla and Muto about to throw down on the streets of San Francisco to Bryan Cranston bringing some equally heavyweight acting. We even find out more about Godzilla’s adversary, who we still know little about.

It’s been six decades since Godzilla first hit the screen, and to celebrate the big guy’s birthday, Rialto Pictures is releasing Ishiro Honda’s 1954 original — in a restored, 60th-anniversary edition — in theaters. I’ve seen Godzilla many times since I was a kid, but watching it again, I was struck that it might be the best single film about the terrors of the nuclear age.

I suspect you know the plot. It begins when American H-bomb tests in the Pacific disturb the watery environment that’s the home of Gojira, as the monster is called in Japanese. After sinking assorted ships, this enormous beast winds up in Tokyo, where he stomps on buildings, flosses with power lines and blasts citizens with his radioactive bad breath. When the army is unable to stop him, the only hope is a new invention called the Oxygen Destroyer. But its idealistic creator is reluctant to reveal it for fear it will become a weapon — just look at the destruction that followed from splitting the atom.

Yet even as the inventor says this, the movie itself is offering us the seductive spectacle of violent ruin. And make no mistake: Destruction is great to look at. There’s an amoral pleasure to be had in watching Godzilla reduce Tokyo to fiery rubble, rather like the beauty of seeing those napalmed palm trees flare like matches in Apocalypse Now or the illicit thrill of seeing the White House get obliterated in Independence Day — before Sept. 11, of course. Quite clearly, it’s this joy in destruction that helped make Godzilla influential, especially in Hollywood, which over the past half-century has fed the worldwide audience’s appetite for images of spectacular violence.

That said, Godzilla’s real strength lies not in its effects — impressive for the time — but in its underlying emotional and cultural seriousness. It’s not simply that the music is often doleful rather than exciting or that we see doomed children set off Geiger counters. The movie has a gravity that comes from being created in a Japan that knew what it was to have children die from radiation poisoning and to see its capital city in flames. Both drawn to and terrified of the monster’s power, the movie is steeped in Japan’s traumatic historical experience. It has weight.

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Starring: Hugh Jackman, Sir Patrick Stewart, Sir Ian McKellen, Halle Berry, Anna Paquin, Shawn Ashmore, Ellen Page, Daniel Cudmore, Adan Canto, Omar Sy, Booboo Stewart, Fan Bing Bing, James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Lucas Till, Peter Dinklage, Evan Peters, Josh Helman, and Evan Jonigkeit
Written by: Simon Kinberg and Matthew Vaughn
Directed by: Bryan Singer
Produced by: Richard Donner, Lauren Shuler Donner, Bryan Singer, and Matthew Vaughn
Length: 130 min
MPAA Rating: [ PG-13 ]
Distributor: Twentieth Century Fox Film Corporation
Release Date: May 23, 2014

Watch X-Men Days of Future Past full online free 2014

While including post-credits sequences in comic book movies has become pretty standard practice at this point in the genre, the way that The Amazing Spider-Man 2 goes about it is far different than anything we’ve seen. In addition to featuring graphics that point towards the identities of the villains we may end up seeing brought to life in the upcoming Sinister Six spin-off film, the credits also included a quick clip from the competing summer blockbuster X-Men: Days of Future Past, which will be out in a few weeks. It’s definitely a strange situation, but just in case you didn’t see the Spidey sequel in theaters this past weekend, the X-Men clip has now arrived online.

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Brought to us by IGN, this clip seems to begin at a U.S. Army base in Vietnam where enlisted soldiers like Havok (Lucas Till), Toad (Evan Jonigkeit), Ink and a fourth mutant are getting ready to finish their tour and head home. Unfortunately, this is interrupted by the young William Styker (Josh Helman), who wants to drug up the mutants and experiment on them – a la what he does in X-Men Origins: Wolverine. Styker’s plans are interrupted, however, by an in-disguise Mystique (Jennifer Lawrence), who proceeds to kick some serious ass.

Weirdly enough, this isn’t the first clip we’ve seen from X-Men: Days of Future Past that features a confrontation between Mystique and Stryker. Just last week she was featured in yet another sequence where the female mutant whupped the soldier and everyone else in the room with him:

If you’re curious as to why an X-Men clip would be showing up in the end of a Spider-Man movie, there’s actually a very simple explanation. As we learned last month, director Marc Webb signed a one-picture deal with Fox Searchlight after making (500) Days of Summer, but was forced to go back on that contract once he signed on to the Amazing Spider-Man franchise. In order to make things even, Sony and Fox made a deal that said Sony would use The Amazing Spider-Man 2 to include some free advertising for X-Men: Days of Future Past – the clip you see above. So if you were hoping that this was a sign that Spider-Man and the X-Men were getting ready to team up on screen, I’m sorry to disappoint you. At the very least we do always have this deleted scene from the first X-Men movie:

I honestly cannot express to you guys how excited I am that X-Men: Days Of Future Past is roughly a month away from hitting theaters! I have been anticipating this movie with as much giddy excitement as a little kid waiting for a trip to the toy store. Not only do we get to catch up with the truly awesome Professor X, Magneto, and Mystique from First Class, but we also get to reunite with the beloved cast from the original trilogy. Then there’s the scene where the Professor Xs meet…my god I can’t wait for that movie. The Sentinels, post apocalyptic future, Quicksilver; it’s shaping up to be the best X-Men since X2, if not of all time. That’s not in small part due to the promise of fixing the continuity, either.

The series has been criticized heavily about it’s lack of continuity since the original trilogy concluded and they went into spin-off territory. With consistency after consistency adding up, they needed to do something to fix their derailing franchise. But what exactly are they pointers they need to fix? I recently re-watched all 6 films, and these are the ones I picked up on. If there are any others floating around out there, please feel free to shout out in the comment section.

But first let me get this straight. All of these plot holes are because of First Class and Days of Futures Past. The series is not just filled all over with holes and being held together by a string. Before those two movies there was nothing wrong with the continuity. Anyways, precede on.

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it wouldn’t be an understatement to say that nearly the entire plot of The Amazing Spider-Man 2: Rise of Electro can be seen in the bazillion trailers that have been released.
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Having trouble figuring out the insane plot of the hot mess that was The Amazing Spider-Man 2? No worries. Our patented Spoiler FAQ is here to help decipher what the hell happened in all those weird, awkward scenes where Spidey wasn’t fighting people. Spoilers ahead, obviously!

It’s about a man gifted with extraordinary powers who, through hard work and perseverance, finally manages to get his girlfriend killed.

Lots of things happen in the movie — rarely with any kind of coherence or justification — but as far as I can tell the movie is specifically about Peter Parker, who 1) knows his relationship with Gwen puts her in danger and 2) promised Gwen’s father, who Spider-Man also effectively got killed in the first movie, that he’d leave Gwen the hell alone, but keeps renewing their relationship until finally she’s caught in the metaphorical crossfire of one of his battles and dies. To be fair, Gwen is also pretty set on getting herself killed.

Oh, they show up. They fight Spider-Man and star in some pretty great action scenes, but everything about the villains is completely random. It’s impossible to get invested in their story because their motivation is so stupid. Let me put it this way: Paul Giamatti’s Rhino, sans Rhino suit, is the first bad guy who shows up and his brilliant plan is this: To hijack an Oscorp truck carrying radioactive TMNT mutagen in the middle of the day in the middle of Manhattan, while somehow escaping the 50 cops cars chasing after him and his crew.

First, Electro. If you’ve seen the trailers, you know the deal: Jamie Foxx is Max Dillon, a helpless shlub who works at Oscorp; one day Spider-Man saves him and he instantly becomes both obsessed with Spidey and completely unhinged, and then when he transforms into Electro — and I’ll get to that in a second — Spider-Man says the cops won’t shoot him and a cop shoots Electro and Max somehow blames Spider-Man and turns evil.

When the Sony Pictures Imageworks special-effects team got the screenplay for The Amazing Spider-Man 2, they quickly realized that with great box-office comes even greater responsibility for technical wizardry. The scope of the sequel was much bigger than Marc Webb’s 2012 reboot, and in contrast to the numerous night action sequences that dominated the first film, the new movie would extensively showcase Spider-Man slinging through New York in broad daylight, an entirely new set of creative challenges. “For some of the shots of Spider-Man swinging through the city [in sunlight], the computer could take 40 hours to render one frame of the city of New York,” says Jerome Chen, the film’s visual-effects supervisor. “And there’s 24 frames for one second.”

Adding another 5.2M on Monday and $6.2M on Tuesday, Sony/Marvel‘s The Amazing Spider-Man 2 crossed the $100M mark six and a half days after its initial release (I’m counting the $8.7M it got from 7 PM screenings on Thursday as a half day). Specifically, ASM2 is at roughly $103M after the first two days of mid-week grosses. This comes after a $91.6M gross Sunday. The film has so far made $420M+ worldwide now since releasing overseas two weeks before its domestic release.

The international distribution strategy was wise, given that the pic needed time before Warner Bros./Legendary Pictures’ Godzilla stomps into markets. The lizard is being released pretty much day and date with its May 16th domestic bow … except for the all-important market of China where it doesn’t release until June 16th so that gives Spidey a long while to play there with no major U.S. release coming in to elbow it out. To give readers an idea of what the build out has been in China and why the country is so important to the entertainment industry: The Chinese market alone provided 11,002 runs for Spidey vs. a wide 4,324 theaters domestically.

Related: ‘Amazing Spider-Man 2′ Snares $116M In Overseas Web To Raise Overall Cume To $277M+, Growing In China After Record Bow

The international markets for the Spidey franchise has grown over the years as the domestic grosses have continued to shrink. The question right now is whether American audiences growing weary for Spidey? After all, this is No. 5 and there are two more in the hamper. Here is another look at the domestic vs. international audience for this all-important Sony/Marvel franchise:
If you watch the first trailer then you’ll see Andrew Garfield’s Spider-Man flying through the air with the greatest of ease, really enjoying himself as the lycra-clad superhero. But then it all turns a little dark.
“Every day I wake up knowing that the more people I try to save, the more enemies I will make,” says Peter Parker in an ominous warning. “And it’s just a matter of time before I face those with more power than I can overcome.”
Then comes his being late for his date with girlfriend Gwen Stacy after being involved in a street battle with a machine gun-wielding thug and joking about it because LOLZ SPIDERMAN STUFF.
More web-slinging follows and then an introduction with Spidey’s old BFF Harry Osborn (Dane Dehan version) in a palatial-looking hallway. That’s before the action moves to a very snazzy corporate office where Harry reveals that his company has had Peter under surveillance. But why, the audience cries? And obviously the trailer tells them.
“There’s something you’re not telling me Aunt May,” says Spidey, showing off that superhero brainpower of his. “I once told you that secrets have a cost, the truth does too,” she replies.
Sally Field’s Aunt May doesn’t go on to spoil what those secrets were, but fear not, because a video of Peter’s father does instead. As what looks to be a subway carriage rises from underneath the tracks and an ancient computer springs into action with a handy video explaining exactly what’s going on.
“My name is Richard Parker and I have discovered what Oscorp was going to use my research for and I have a responsibility to protect the world from what I know they’re capable of.”
As all this is happening, the audience is treated to scenes of a mysterious man walking through a lab showing off some possibly quite familiar objects – what could it all mean?!
Well as luck would have it, someone else has arrived to tell us now. Handy. “What is all this?” asks Harry. “The future…” answers the mysterious man.
A future that will involve some kind of green man on a hover board, something metal with a horn and an angry blue man shooting electricity out of every orifice.
If the first trailer didn’t quite give you everything you wanted to know about the movie then the Superbowl trailer came next with more battles, a longer look at the various bad guys and obviously Emma Stone’s Gwen Stacy being in peril.
The owner of the big metal boots and the big metal horn also becomes apparent, in case you didn’t want to know that – and he’s even more fleshed out, as is basically everything else in the third trailer.
Apparently the first three trailers didn’t give enough of the plot away, so the next trailer – an Enemies Unite reel – decided to show the origins of the angry electric blue man.
Now, while the trailer gives away some pretty major plot points – the one thing that should be taken from it is that it’s never a good idea to mix massive amounts of electricity, a tub full of electric eels, and Jamie Foxx.
Add into the mix a lot more power and a pitched battle in the middle of Times Square and then you’ve got yourself half the film.